4 Jul 26
Adriatique
What’s in a name? For Adrian Shala and Adrian Schweizer, it’s a decade – and counting – of joint creativity. After getting to know each other in Zürich in 2008, Adrian & Adrian became inseparable, not just as friends, but also as artists. The two men carved out a career as one of the most consistently delivering DJ/producer duos in the house and techno scene: Adriatique.
The key to an enduring partnership is, of course, to complement each other, and the two Adrians do so admirably. Music-wise, their various tastes combine into one unique sound, and their respective preference for studio work and performance means that both aspects are equally well covered.
Adriatique’s DJ performances as well as their productions are long, meditative, relentlessly building affairs, ever challenging the listener with subtle twists interrupting their hypnotic groove. There is more to the duo than just a well-oiled electronic music machine, however. They also live together, draw plans together, and support art in all its forms together.
After almost a decade of joint work, 2016 saw the fulfillment of Adrian and Adrian’s long-held wish: the founding of their very own music label annex platform for the arts. Called Siamese, their imprint releases Adriatique’s own music as well as productions by others, as long as it adheres to the Adrians’ creed: that music should be meditation. Going above and beyond the average for a label, Siamese also supports visual and performance artists, organizing club nights that place these collaborators in the spotlights just as much as the musical stars.
Drawing from their own experience as strangers turned fulltime partners, Adrian and Adrian know that it is the bridging of differences that breeds creativity. This is why, in the future, they plan on expanding their network of collaborators as well as the creative scope of Siamese’s activities. They may be a decade in the business, but Adriatique’s true mission has only just begun.
Mooglie
Mooglie began his musical journey as a guitarist, bassist, and composer in several pop-rock and indie bands, exploring melody, texture, and live energy. Around 2012, he discovered electronic music, falling in love with synthesizers, analog sounds, and hypnotic rhythms, a new playground to expand his musical vocabulary.
The launch of Mooglie marked a turning point with his first solo EP, ‘Prélude’ on Sapiens, which received international acclaim and established him in the electronic music scene. This was followed by ‘Voicemail’ on Afterlife, then ‘Spacer’, each release strengthening his reputation and confirming his decision to fully dedicate himself to music. In 2025, ‘Last’ on Rose Avenue marked another milestone, alongside other releases that shaped his artistic path.
After ‘Last’, Mooglie took a pause from touring and DJ sets to rethink his artistic direction. He embraced a more organic, groovy, and sunny sound, drawing inspiration from new wave and rock, and now works with live musicians to add texture and life. Collaborations happen in real-time in the studio, focusing on energy and immediacy rather than distant exchanges.
Today, Mooglie stands at the crossroads of analog warmth, live energy, and hypnotic electronic storytelling , crafting music that is textured, vibrant, and full of movement, reflecting both his roots and his evolving vision.
Carla Mo
Carla Mo is a DJ and producer from Marseille, in the sunny south of France.
Her sets take you on a groovy ride through house and tech house, with touches of disco and ’90s underground energy.
You can hear this signature in her tracks and across her artistic universe. She is a passionate producer and a true synth lover, always exploring analog textures and melodic layers to shape her unique sound. Her universe defines her vibrant world: groovy, hypnotic, and full of energy.
Carla has performed at renowned clubs such as Phantom, T7, La Clairière and Silencio in Paris, E1 in London, Sanctum and Casa Amor in Saint-Tropez, as well as venues in Tokyo, Seoul, Munich, and on the stages of major festivals and cultural events including Brunch Electronik, Madame Loyale, Delta Festival, the Cannes Film Festival, and the Monaco Grand Prix.
She has shared the stage with world-renowned artists such as Peggy Gou, Chris Stussy, Sam Paganini, The Blaze, Terrence Parker, DJ Tennis, Cerrone, and many others.
She has also worked with prestigious brands like Louis Vuitton, L’Oréal, Fendi, Valentino Beauty, Ferrari, Asics, Porsche, the NBA, Tissot, and Nespresso. These partnerships reflect her ability to move fluidly between the club scene and the fashion world.
Driven by a strong artistic vision, she keeps shaping her path with a distinctive sound and a cinematic identity.
Notre Dame
Driven by the desire to channel the emotive power of music into his productions, Notre Dame brings
a fresh and heartfelt approach to electronic music. The Frenchman has had a rapid rise to prominence, but his dedication to production goes back over a decade. Buoyed by his first ever release, ‘Yumi’, which was signed to Solomun’s influential Diynamic label, Notre Dame has embraced his newfound notoriety, touring the globe and connecting with several other well-respected labels. With shows in Tokyo, London, Miami and Beirut, among many others, plus a series of releases on labels such as Innervisions, Cercle and Bedouin’s Human By Default, the young producer is full of creativity and passion for his craft...
Born and raised in Paris, Notre Dame is simply named after the school he attended as a youngster. In the French capital his formative musical years revolved around the city’s heroes; Daft Punk, Justice, Breakbot, Ed Banger and the rest of the community connected to the legendary French Touch era. As time went on, his tastes matured and the influence of his musical touchpoints permeated into his production output.
From Hans Zimmer’s cinematic compositions, to the emotionally - charged classical renditions by a variety of orchestras, Notre Dame’s field of influence became broader and his music more nuanced. However, it wasn’t until he took a conscious decision to shift away from the chilled deep house he was making, that his music really started to resonate with a bigger audience. Like many creatives, it took a big shake up and change of direction to truly awaken Notre Dame’s creativity and connect him with tastemakers like Solomun.
In 2021 he decided to take a leap of faith, quit his day job and do the music thing full-time. A week after he left, ‘Yumi’ was released on Diynamic. Solomun’s support of the track was ubiquitous, using it to close his sets all over the world. With such a powerhouse selector, and label, supporting his track, Notre Dame’s profile was boosted massively. Radio 1 tastemaker Pete Tong made it his Essential New Tune, further amplifying his status and the track was an instant hit. His release with Bedouin’s Human By Default, ‘Amuse’, came soon after.
Notre Dame kept the momentum high off the back of both releases, with his music finding a home with a remix of RY X’s ‘Lençóis (Love Me)’ for Cercle Records. He also produced a rework of ‘My City’s On Fire’ by Jimi Jules for Innervisions, channelling that funky French Touch vibe in his own distinct way. More recently, he’s collaborated with AMÉMÉ on ‘Runaway’ for Armada Music and remixed fellow Frenchman BOg’s ‘Breathe’ (feat. Afanan Prince) on Atlant.
As a DJ Notre Dame’s intention is to invigorate the dance floor with the same level of emotion as he does through his productions. Cultivating an uplifting, energized, “feelgood” atmosphere is at the core of his ethos. The kind of performances that create memories and moments that people can refer back to, stimulating their happy hormones over and over. His touring schedule includes visits to the USA, and a variety of influential club spaces and festivals: Womb (Tokyo), Sound (Los Angeles), Space (Miami), Koko (London), Kraftwerk (Zurich), Grand Factory (Beirut), Het Sieraad (Amsterdam), and Bar Americas (Guadalajara) among many more. With each appearance, he gives his all, channelling that same passion for music into emotionally-charged performances.
Where does he go from here? Plans are in the pipeline for an audio-visual show. At the heart of this next phase in his creative output will be Japanese anime. Notre Dame’s love for the artform will be intertwined with his heartrending productions to produce a show that is bound to wow audiences around the world. Beyond that, the vision is to write an album. With these two huge projects in his sights, Notre Dame is fully focused and relishing the opportunity to make his dreams a reality. With the support of some of the electronic music world’s most influential figures and a growing discography full of high quality emotive dance floor-ready cuts, his upwards trajectory shows no signs of slowing down.
Brimming with youthful energy and creativity, Notre Dame quickly established himself as a formidable artist, whose on stage performances match the emotional power of his studio productions. Driven and committed to exploring and expanding his sonic pallet, he is well on the way to achieving his visions, with an aura of positivity and love for the music central to his ongoing success.
Adding to his ever- evolving artistic journey, in 2025 Notre Dame embarks on a new adventure with the launch
of his own record label, ‘Paranormal Society.’ More than just a label, Paranormal Society is a creative space where music and art intertwine to transport listeners into a parallel world of deep emotion
and sonic storytelling. The label’s debut release, ‘Do for Your Love,’ sets the tone for this new chapter— an evocative, melodic masterpiece that has already captivated dance floors worldwide, making its way into the sets of Keinemusik, Adriatique, and RÜFÜS DU SOL. With Paranormal Society, Notre Dame aims to carve out a distinct musical identity, championing tracks that resonate on both a personal and collective level, reinforcing his commitment to crafting emotive, forward-thinking electronic music.
In recent months, Notre Dame has also been touring across the globe with standout appearances at Space Miami, Pacha Ibiza, and Womb Tokyo, while delivering high-profile remixes for artists such as Lenny Kravitz, Bedouin, and Röyksopp. Alongside the launch of Paranormal Society, he released music on the iconic French imprint Kitsuné. July 2025 marked a career milestone with the release of “Give It To Me 2025” on Interscope; a collaboration with Adriatique, Nelly Furtado, and Timbaland;
followed in August by a brand-new EP on Solomun’s Diynamic. To say Notre Dame is on fire would be an understatement, and with more projects already in motion, 2025 is shaping up to be his biggest year yet.
